THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They in many cases are craving romantics, with this particular difference: Buster appears to be a plausible mate, plus the Tramp hardly appears to possess a libido, only idealized notions. If their comedies were manufactured in a far more liberated time, it is feasible to assume Keaton in bed with a lady, but disquieting to think about the Tramp as